Otterburn, by Alex Rex

Otterburn

by Alex Rex

supported by

stuarty18 There seem to be rich layers to this album. I've discovered a hidden layer... serving as my idiosyncratic companion to an evening watching the sun set over Kotor Bay in Montenegro... Alex and Lavinia's beautiful tones... accompanying the slow progress of the sunlight retreat across the hillsides.. and the gradual appearance of the moon over mount Lovcen. Perfect.

more...

	/

Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Purchasable with gift card

£7 GBP or more
Record/Vinyl + Digital Album
Includes unlimited streaming of Otterburn via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

ships out within 3 days

Purchasable with gift card

£20 GBP or more

1.	Lay Down In Ashes 04:11	buy track
2.	Amy, May I? 04:37	buy track
3.	Dildos 04:30	buy track
4.	The Cruel Rule 03:42	buy track
5.	Otterburn 03:29	buy track
6.	Always Already 04:12	buy track
7.	Master 03:06	buy track
8.	Brother 03:54	buy track
9.	Latest Regret 04:44	buy track
10.	Smoke & Memory 02:13	buy track

about

It's impossible to describe Alex Neilson's sophomore solo album Otterburn without first addressing the cataclysmic event that led up to it. On the 29th of April 2017, Alex's brother Alastair died peacefully and unexpectedly in his sleep on his canal boat in Leeds. The youngest of three boys, Alastair embodied all his family's best qualities and was a charming and spontaneous friend to anyone lucky enough to cross his path.

The trope that heartbreak yields an artist's best work is a tired one, but what of bereavement?
Grief is a complex monster. For those skilled at building songs, it can provide a new set of tools and floor plans. Would this album have been the same without the trauma Alex experienced? Undoubtedly not. Otterburn heaves with despair, but brings with it too an idiosyncratic sense of the comic. Gallows humour seems too mild a term when Neilson croons: "The clouds disperse / Without priority or care / He's gone they seem to say / But knock once if you're still there".

But there are other kinds of sorrow here too.

The Frankenstein'd child of Roots-era Everly Brothers and The Rocky Horror Picture Show,
'Amy, May I?' is a genre-bending paean to masochistic love. It foregrounds some supremely wigged-out guitar from Stevie Jackson (Belle & Sebastian), while Neilson eschews his signature breathy, meanderingvocal style for something altogether more strapping, barking the line: "You came on like a nervous reaction / My teeth get hard and my dick starts chattering...". Other highlights include the title track (a bucolic elegy to Alastair's canal boat), 'The Cruel Rule' (Diazepam Dylan) 'Master' (a dirge-like waltz that's the lyrical equivalent of a game of musical chairs on the Titanic), and the heartrending album closer 'Smoke and Memory'.

Otterburn reunites Alex with a couple of his Trembling Bells band mates; Lavinia Blackwall – her voice as true as church bells – and Mike Hastings – who is reaching Brian Jones levels of multi-instrumentalist brilliance. But this is a very different beast to the Bells. Otterburn has an ad-hoc intimacy and ability to make the epic seem small and the small seem epic that pitches it closer to Desire-era Dylan than Folk Rock aristocracy. The rest of the assembled company (Alasdair Roberts, Dave McGowan, Rory Haye et al) are among Scotland's finest.

Forged in pain and made in Glasgow, making a very decent case for the old adage about the cream rising to the top. Lap it up.

credits

released March 29, 2019

Alex Neilson- vocals, drums, percussion, piano, barking, bin, train whistle
Lavinia Blackwall- organ, piano, vocals, autoharp
Rory Haye- bass, baritone guitar, vocals, barking
Mike Hastings- electric guitar, harmonica, strum stick, vocals
Stevie Jackson- electric guitar, 12 string guitar
Dave McGowan- pedal steel guitar
Dave Addison- semi acoustic guitar, vocals
Alasdair Roberts- electric guitar
Alex South- bass clarinet
Caroline Hussey- accordion
Georgia Seddon- djembe
Calum Calderwood- violin

license

about

Alex Rex Glasgow, UK

Alex Rex is the 'ghost-rock' project of Alex Neilson (Trembling Bells, Bonnie "Prince" Billy, Shirley Collins, Current 93 et al).

Inspired by Greek Tragedy, Barbara Streisand and Alex's own internal critic, Alex Rex perform songs of love, loss and loathing that make the detestable whistleable. ... more

contact / help

Contact Alex Rex

Streaming and
Download help

Redeem code

Report this album or account

If you like Alex Rex, you may also like:

Muggington Lane End
by Lavinia Blackwall

supported by 38 fans who also own “Otterburn”

Nice pop balladry with a folk influence. My first thought upon hearing this was "female Paul McCartney" but it is probably aiming for Sandy Denny territory. Lavinia was in psychedelic folk band Trembling Bells. Art Fin
go to album
Dungeness
by Trembling Bells

supported by 32 fans who also own “Otterburn”

One of the greatest album of 2018! Cat In leaves
go to album
Wide Majestic Aire
by Trembling Bells

supported by 21 fans who also own “Otterburn”

I love everything about Trembling Bells. Been following them for years and still so much to discover, so many different paths to be lead, joyfully, down. vernondito
go to album
Consciousology
by Dot Allison

On this harmonically rich LP, the Scottish singer-songwriter contrasts gorgeous soprano harmonies with strident folk-rock instrumentation. Bandcamp New & Notable Jul 26, 2023
go to album
The Ashes
by Alex E.T.

Incredible psych-rock with an undertone of grunge and a focus on tight songcraft gets a well-deserved vinyl pressing. Bandcamp New & Notable May 11, 2023
go to album
I LOVE FISH
by Pine Barons

Soothing indie pop from Philadelphia with the slightest psychedelic edge, always centered on tremendous melodies. Bandcamp New & Notable Jul 10, 2022
go to album
The Bonnie Bells of Oxford
by Trembling Bells and Bonnie 'Prince' Billy

supported by 20 fans who also own “Otterburn”
go to album